BWProject26

Full Circle

 

Week 26/26: Full Circle

This photograph represents to me so much of the concept of 'Full Circle'. The beginning of the project was on the theme 'New Beginnings' and in my case featured a photograph of Steven hand planing the wood beading for our new kitchen cabinets that were being made. (You can see that original post here: https://goo.gl/Ue4gK9). The kitchen is not quite completed (not quite full circle) but the change over this year has been wonderful. At one time my mother used to say that if we started work on fixing up our kitchen, that would be a sign that we would be on the move. We did plan to do up the kitchen when we first moved in, over 18 years ago, so now, with this work almost completed, it is a completion of our plans and dreams over those past years. And so far no move in sight (I love the kitchen too much to want to leave it so soon).

In this image you see images that have been shared throughout the year: blue ball for Joni, bottom left of the circle, Molly the black Cornish Rex, drinking from the water bowl, Steven's boxes (old ones) on the mantelpiece, my copper pans I cook with, my flour mill. And possibly more.

As an aside, on the mantle, an anniversary card shows that another year of marriage has completed, a full circle each year, in a sense. And of course the image, taken with a fish-eye perspective is a full circle. The year is ending, another is beginning.

My posts are all on my blog: www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris

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Blurred Lines on the Port Side

 

Week 25/26: Blur

I was sitting in the cafeteria in the Cunard Centre in Halifax looking out of the window at the dock structures when I saw how beautifully the condensation streaking the glass between the grid of the frames worked with the outside elements and at the same time blurred the lines. Right in front of this scene people were constantly milling around as they ordered their food and collected cutlery. Then, suddenly there was a break and I took this.

My posts are all on my blog: www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris
#architectureyesterdayandtomorrow +ARCHITECTURE YESTERDAY – TOMORROW by +Edith Kukla

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Collection

 

Week 24/26: Around the House

Sometimes other people's houses have more interesting things around them than you can find in your own. This collection of random items was on the front porch of a house not far from us. I loved how everything seemed to have been carefully placed to show each piece off to best advantage. My untrained eye couldn't detect any relationship between any of the pieces. I could only imagine that everything on that table had meaning to the people who had put it there. Closer inspection revealed all kinds of unexpected little surprises. The new G+ does not permit (so far) zooming in but if you can, enlarging the image will reveal some of the stranger additions. There are no children in this house, just in case you wondered.
My posts can all be read in my blog: www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery+Brandon Luk+Lauri Novak+Al Chris
#everydaythings +EVERYDAY THINGS​ curated by +luca lancieri+Barbara Manciulli+Nynke B+Boba Musura

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Not so Many or so You Think

 

Week 23/26: Stacks

This small stack of CDs for the theme for our BW Project reminds me of a trip we made to Canada many years ago, before we moved here. We lived in France at the time, in an area where CDs were not easy to find, sadly, as music is a very big part of our lives. We had an eclectic taste in music and missed having access to a wide range of genres. They were also very expensive to buy, so our purchases were few and far between.

By contrast, Canadian music stores had a huge and varied inventory and we spent hours wandering around them making exciting discoveries. They were also cheap and doubly so for us as the dollar was low compared to the French franc. This meant that each trip to the stores saw us coming back to our room with a few more acquisitions to add to the pile.

We spent some time in several places and finally on the last leg of our journey I started to gather things together for the return flight. As I made my way around the room, I found a few stacks of CDs, then a few more, then a few more, under or behind or in boxes and bags or suitcases. I had not realized just how many CDs we had accumulated on that trip, but when I made the count finally, I realized that we had bought about 41 of them!

We still have them all, still in perfect condition and still treasured, along with the hundreds more we have bought since. We still buy CDs, not digital downloads. These are beautiful musical memories. Have fun reading the titles and seeing which you know (and discover) in this small stack.
The full list of titles is:
Boz Scaggs: My Time
Boz Scaggs: Memphis
Boz Scaggs: But Beautiful
Boz Scaggs: A Fool to Care
Sade: Stronger Than Pride
Sade: Love Deluxe
Van Morrison: Poetic Champions Compose
Mark Knopfler: Tracker
The Rails: Fair Warning
Richard and Linda Thompson: The End of the Rainbow (an introduction)
Beppe Gambetta, Carlo Aonzo, David Grisman: Traversata (Italian music in America)
Craig DeMelo: The Whiskey Poet
The Great Piano Concertos – Grieg, Schumann
Judy Garland: Over the Rainbow

(to be continued)

My posts are all on my blog : https://www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery​​​​ +Brandon Luk​​​​ +Lauri Novak​​​​ +Al Chris​​​​

#everydaythings +EVERYDAY THINGS​​​​ curated by +luca lancieri​​​​ +Barbara Manciulli​​​​ +Nynke B​​​​ +Boba Musura​​​​

#allthingsmonochrome +All Things Monochrome​​​​ by +Charles Lupica​​​​, +Enrique Pelaez​​​​, +Brian Cox​​​​, +Dorian Stretton​​​​ and +Bill Wood​​​​

#monochromeworld +Monochrome World​​​​ by +andi rivarola​​​​

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Autumn Stand in Black and White

 

Week 22/26: Landscape

When I was about 10 or 11 we had a cheap little film camera. I don't remember being given it, so it probably was shared by the family. I have early pictures I took with that camera, none of them very earth shattering, mostly pictures of family members. However my earliest memories of my photography was when I was standing with my camera in front of a wonderful landscape. I remember more than once thinking how beautiful the scene was and taking two or three photos. Weeks (months?) later when the film went in to be developed, the black and white pictures came back. I remember looking at them and wondering why I had taken them. Somehow that breathtaking landscape of rolling tree covered hills had turned into a dull scene, totally lacking interest.

No one ever explained to me how to choose and frame a subject (landscape or otherwise) that would look good in black and white. No one told me that simple clean lines look great A landscape of stark tree trunks and branches against snow or fog would look wonderful in black and white, no colour needed at all (no fussy leaf masses) as do dramatic skies behind a subject, that no matter how striking the colour of the leaves you see before you, that colour will have little impact in the printed image. No one told me any of those things and we certainly couldn't have afforded colour film at that time. Neither did I have access to a darkroom, to the tools that would have allowed for creativity, such as dodging and burning, to bring out dramatic skies and highlight subjects. So every time the prints came back, I was bitterly disappointed.

This challenge then immediately brought back those memories, but spurred me on to try to find a subject where colour was secondary to the composition. At this time of year, with brilliant foliage everywhere and as I could't get to a seashore (my first choice) I found this proud stand of trees in the field behind our house, in front of gathering evening clouds. In the foreground is a potential monarch butterfly nursery* for next year, seed heads of the common milkweed plants.

*As an aside, the invasive common milkweed is not the best plant for the butterflies, they much prefer the non invasive marsh milkweed, which I am planting next year.

My posts are all on my blog: https://www.elliekennard.ca.

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris

1205

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Autumn Stand in Black and White

 

Week 22/26: Landscape

When I was about 10 or 11 we had a cheap little film camera. I don't remember being given it, so it probably was shared by the family. I have early pictures I took with that camera, none of them very earth shattering, mostly pictures of family members. However my earliest memories of my photography was when I was standing with my camera in front of a wonderful landscape. I remember more than once thinking how beautiful the scene was and taking two or three photos. Weeks (months?) later when the film went in to be developed, the black and white pictures came back. I remember looking at them and wondering why I had taken them. Somehow that breathtaking landscape of rolling tree covered hills had turned into a dull scene, totally lacking interest.

No one ever explained to me how to choose and frame a subject (landscape or otherwise) that would look good in black and white. No one told me that simple clean lines look great A landscape of stark tree trunks and branches against snow or fog would look wonderful in black and white, no colour needed at all (no fussy leaf masses) as do dramatic skies behind a subject, that no matter how striking the colour of the leaves you see before you, that colour will have little impact in the printed image. No one told me any of those things and we certainly couldn't have afforded colour film at that time. Neither did I have access to a darkroom, to the tools that would have allowed for creativity, such as dodging and burning, to bring out dramatic skies and highlight subjects. So every time the prints came back, I was bitterly disappointed.

This challenge then immediately brought back those memories, but spurred me on to try to find a subject where colour was secondary to the composition. At this time of year, with brilliant foliage everywhere and as I could't get to a seashore (my first choice) I found this proud stand of trees in the field behind our house, in front of gathering evening clouds. In the foreground is a potential monarch butterfly nursery* for next year, seed heads of the common milkweed plants.

*As an aside, the invasive common milkweed is not the best plant for the butterflies, they much prefer the non invasive marsh milkweed, which I am planting next year.

My posts are all on my blog: https://www.elliekennard.ca.

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris

1205

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Decay : In Black and White

 

Week 21/26

Decay is everywhere around us and it should be so easy to get something that illustrates it, as this week's theme demands. I discovered that the trick lies not in finding something decaying, but in finding something that really shows that decay without the added dimension of colour. What makes this so challenging is that our eyes 'see' in colour and one of the most beautiful aspects of decay is the wonderful tones and shades in something in the last throes of life! So a dying bunch of blue hydrangeas, beautiful in pale blues, oranges and yellows all crinkled and crisp, looks wonderful. As soon as you convert the image to black and white you can barely even tell that the flowers are decaying at all. A wonderful old fungus on a tree is full of rich browns, yellows and creams and is fascinating to look at. But it is really dull in black and white.

At last, having photographed many different decaying things including the above mentioned, I end up posting the most obvious subject for the time of year and strangely enough, the first image I took in the project.

This leaf looks nothing at all as you see it normally. I wouldn't have given it a second glance had it not been for the delicate curve of the leaf end and the veins that stood out like the veins on the hands of an elderly man. In the end I discovered that what is drab and uninteresting in colour takes on a wonderful texture and beauty when stripped down to the grey values alone.

My posts are all on my blog: https://www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris

#allthingsmonochrome +All Things Monochrome by +Charles Lupica, +Enrique Pelaez, +Brian Cox, +Dorian Stretton and +Bill Wood

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Rockport Harbour, Maine

Rockport Harbour, Maine  - Ellie Kennard 2015
Rockport Harbour, Maine – Ellie Kennard 2015

Original Post: Week 20/26: Leading Lines

Small harbours hold a fascination for me, as everything seems to be moving in slow motion, but going nowhere, at least most of the time, held more or less in place by lines. People of all ages with fishing lines hanging over the dock stand still, silently watching for any movement to their lazily bobbing floats: yachts at anchor move almost imperceptibly around their tethering lines, rocked by the gentle swell of the tide: this oarsman guided his little craft with slow deliberate strokes of the oars into position to tie it to the line at the wharf alongside the others. Everything seems to move almost in slow motion, constrained in some way by lines. And all of these lines lead to the sea.

For a theme of “Leading Lines” there can be few places with more lines than a small harbour such as this, in Rockport, Maine.

Portrait (After the style of Modigliani)

 

Week 19/26: Long Exposure

While not as long an exposure as I would have liked (this is a shortish 'long exposure' of 2 seconds), this portrait is my submission for the theme. My blur mentorship taught me so much about the possibilities in using techniques to create drama, mystery and even to accentuate focus. In this case I like the mystery of this single exposure, especially converted to black and white.

My posts are all on my blog also: https://www.elliekennard.ca .

#BWProject26 | Curated by +Tisha Montgomery +Brandon Luk +Lauri Novak +Al Chris

#blackandwhitephotos #blackandwhitephotography +Black and White Photos by +Gemma Costa +Rob Heron +Salvatore Ferrante +Anthony Million

#unsharpsaturday #softfocussaturday +Unsharp Saturday v2.0 by +Alex Lapidus +Julianne Bockius +Jetski +Patrice Christian +Nadia Cantou-Pewinski

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