Bending, not Breaking


Some photographs really need no words of explanation.

(But for those who want a bit more): This was another snowy walk on a Sunday afternoon and with the new heavy fall of snow and the bending trees, the light called us along that path and through into the woods. These special times are fleeting and for this reason we treasure them and think of them as a typical winter scene. In reality, these scenes happen very rarely as usually the wind blows it all off the trees as it falls. Now, the snow is almost all gone. So I'm so glad I caught this.

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#inthelight +In the Light by +andi rivarola
#hqsplandscape +HQSP Landscape curated by +Peter Marbaise +Leo Schubert +Mike Hankey +Hans-Juergen Werner +Shannan Crow and +Leanne Cole
#LandscapePhotography +Landscape Photography +Margaret Tompkins +Dave Gaylord +Eric Drumm +Jeff Beddow +David D +Bill Wood +Tim Newton +Chandler L. Walker +Ronald Varley +Hamid Dastmalchi +Sylvia Ting


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A Cat's Not in Fashion Without Hot Pink Nails


Molly loves to show off her hot pink nails, especially for her new G+ friend +Sophie Bonnet. I promised Sophie I would share this picture of my fashionable feline.

Molly, our black Cornish Rex loves craves attention and shows her pleasure by kneading and pulling at our clothes and skin when we pick her up. She's a cat. That's what they do. But we were getting sore necks and arms and my clothes were full of holes and pulls, despite regular nail trimming sessions. We read about these nail caps for cats and they have completely solved the problem. Molly gets her cuddles and we avoid the scratches. I took this last year when we first tried them on her. They don't seem to bother her, even when we put them on, so everyone is happy. And she is the height of fashion. (Rupert, who has his claws in the cushion, can be seen to be sporting purple ones, which are far more manly. Zoom in to see his.)

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#Animalia (+Animalia) curated by +Adelphe BACHELET
#mybelovedcats +OneCatADay – Photo Theme Page by +Edith Kukla
#hqspanimals +HQSP Animals curated by +Andy Smith +Nicol Eh and +Shannon Adelson


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A Snowy Woodland Brook Journey


A winter walk along a snow covered path through the woods has a special quality of stillness. It's a quiet made of your own muffled, almost soundless footfalls and those of the creatures who made those tiny tracks. You sense that they are hiding with held breath just out of sight under the pillowed snow beside the frozen water in the stream. Your frozen breath hangs in the air, as if afraid to fall and shatter the peace. The lowering sun makes the shadows lengthen silently through the woods, across the brook between the trees.

My posts are all on my website: .

#hqspmonochrome +HQSP Monochrome curated by +Luis Vivanco S. +Оксана Крысюкова +tri rini nuringtyas and +Giuseppe Petruzzella

#hqsplandscape +HQSP Landscape curated by +Peter Marbaise +Leo Schubert +Mike Hankey +Hans-Juergen Werner +Shannan Crow and +Leanne Cole

#allthingsmonochrome +All Things Monochrome by +Charles Lupica, +Enrique Pelaez, +Brian Cox, +Dorian Stretton and +Bill Wood

#LandscapePhotography +Landscape Photography +Margaret Tompkins +Dave Gaylord +Eric Drumm +Jeff Beddow +David D +Bill Wood +Tim Newton +Chandler L. Walker +Ronald Varley +Hamid Dastmalchi +Sylvia Ting


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Je me Souviens : I Remember


Québec city at night is an impression of lights on colours on textures on curves and deepening shadows. These lend a rich warmth and mystery to the bitter winter cold of the deserted night streets. Deserted, that is, except for another photographer, lit by the street lamp, equally captivated by the mystery of the shadowy gardens to the side of this street. Je me souviens – I remember – the nights of this beautiful city, Québec.

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#Nightscapes +Nightscapes curated by +Jesse Martineau +Patrick Zeiler
+Photo Mania Canada #photomaniacanada by +Giselle Savoie and +Mark HELM
#hqspnight +HQSP Night curated by +Steven Markham and +Ingo Bruneske


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Snowbank Adventures Part 2


When Joni is leaping around at high speed on top of snow banks you just have to keep on snapping, hoping that some will catch a special moment. This was taken the same time as yesterday's image, but this time she is framed nicely by the green and the snowbank. When she's having so much fun she doesn't always look up when you call her name to try to get her attention. This time she did.

This was the photograph I meant to post yesterday, but mixed them up. So this is a double Joni billing, celebrating the fact that this is the featured image on the +Woof Wednesday​ page #woofwednesday curated by +Sandra Nesbit​ and +Debbie Drummond
With thanks also to the folks at +HQSP Animals​, #hqspanimals in particular +Andy Smith+Nicol Eh​ and +Shannon Adelson
And of course to +Animalia#animalia curated by +Adelphe BACHELET​ – merci Adelphe!

_My posts are all on my site: ._


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A Jump in a Snowbank Always Makes a Border Collie Feel Good!


Joni's favourite season has always been the winter. As she was born into a Canadian December, her first trips outside were into the snow and the cold and even as a young pup she loved it and never wanted to come inside, preferring to brave the cold wind and snow to play and run than to be indoors looking out the window at it.

Her new favourite winter pass-time is to jump onto snowbanks, digging around in them for any small creatures that might be hiding under the covered vegetation. Here I just caught her as she leaped joyfully over a bank that was partly covering a holly bush.

My posts are all on my blog: .

For #Animalia (+Animalia) curated by +Adelphe BACHELET
Early for #woofwednesday +Woof Wednesday with +Sandra Nesbit and +Debbie Drummond
and for #hqspanimals +HQSP Animals curated by +Andy Smith +Nicol Eh and +Shannon Adelson


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Café de Paris


When we were in Québec (city) at the end of 2014, we ate in this little café, the Café de Paris and while we waited for our meal, I photographed this part of the restaurant, as the decoration seemed to be unique, if not a bit random in design! It might have been a bit off-putting to have that bust staring disapprovingly at you while you ate, which might explain the empty tables near him, in spite of the temptation of the bottle of champagne! You can see from this post and image that otherwise it was a uniquely romantic environment.

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#emptychairsandemptytables by +Rob Hallifax


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The voluptuous Florette was so generously endowed that she was renowned as the beauty queen in the area, especially at the end of her pregnancies. Old farmers would drive for miles to come and gawk at her, or, to be more accurate, at her udder. No one had ever seen a larger bag on a cow. And that was exactly why we got her. Her udder was too big and hung too low to be practical on a commercial dairy farm. In what used to be called the milking parlour, now referred to as the ‘unit’, where milking time is money, an udder that differs from the norm represents precious seconds lost at every milking while the operator struggles to place the machine milking cups on teats hanging in an unfamiliar location. In the past, dairymen and maids who milked by hand were perfectly able to adapt to the peculiarities of individual animals, smoothly proceeding from cow to cow, not phased by any lack of uniformity in size or shape. So Florette was looking for a home. And we, as we didn’t know nor care about the ‘norm’ were looking for Florette (a cow, at least).

She had to be a Jersey

As soon as we read the wonderful original edition of The Complete Book of Self-Sufficiency by John Seymour, we knew that we had to have a cow. And I knew that it had to be a Jersey cow. I had spent the happiest times in my childhood in the barn at my uncle’s dairy farm or in the fields behind it, with his Jersey herd. These gentle, productive creatures represented a calm and peace that I found nowhere else as a child.

Florette - photo by Steven Kennard
Florette – photo by Steven Kennard

Our Florette was a pure bred Jersey, about to have her second calf when we got her. We bought her from a meticulous, proud dairy farmer who raised beautiful pedigree Jersey cattle in a pristine and scientifically managed environment. She left a clinically clean, computer controlled modern dairy unit where she stood on concrete floors that were automatically flushed with water at regular intervals. Her feed was dispensed through feeding stations, the amounts controlled by the identifying computer chip she wore in a collar around her neck. When she arrived at her new home she might have felt that she had stepped back 100 years in time. Her little stable was clean, but rough as the walls were stone and the manger and stall separations were old boards, scrubbed clean and worn with age. Her bedding was soft barley straw spread over the cobbled floor and forked out twice a day or more often if necessary, hosed down by hand once a week or so. As an only cow, taken from her familiar herd she must surely have missed her companions. She was not in milk because at the time she was in calf, due about a month after we got her. This gave us all time to get used to each other and to prepare for the big event.

Eighth wonder of the world

Florette’s udder we discovered, was not only low-slung, but also an impressive size. As she approached the term of her pregnancy it became larger and larger and began to distend with the preparations her body was making for lactation until the teats almost brushed the ground. It was not long before we began to have impromptu visits from farmers in the area who had heard about this impressive udder and wanted to come to see it for themselves. Florette would stand proudly in her small pasture calmly contemplating the landscape, chewing her cud while her audience of old men would ooh and aah over the wonderful udder. This organ became the 8th wonder of that small world, much to the satisfaction of Florette who had never been given so much attention in her life before.

While we waited for her to calve and so that we could keep a close eye on her, we put Florette into the area of lawn that bordered the back of the house and connected to her stable. We set up a temporary electric fence around the apple trees that were there and she was able to graze, lie down to rest in the grass or go into her stall if she wanted. She particularly loved to eat the apples that had fallen off the trees and it was a delight to watch her evident pleasure as she crunched and savoured them, with sticky apple pieces and juices flowing down over her brown chin.

Michael had big brown eyes and danced a lot

When her time came she decided to have her calf in the grass under the apple trees and didn’t seem to be bothered by the small crowd that gathered to watch. The whole process was slow, quiet, dignified and perfectly natural, outdoors in the fresh air with the chickens walking around her and we and the dogs seated at a comfortable distance. Her calf was a handsome little male Jersey, who had big dark brown eyes, bellowed loudly when he wanted attention and seemed to dance and leap everywhere he went, tossing the tiny horns on his head about, so we called him Michael (after Michael Jackson).

Florette cleaning up her new calf - Photo by Steven Kennard
Florette cleaning up her new calf – Photo by Steven Kennard

Time to stand up

All fresh and new, Michael lay in the grass under the apple trees letting his mother clean him up, while the chickens pecked around nearby. Then all at once he decided he was ready to stand up.

Once he was up on his feet, Michael suckled from his mother to get the colostrum he needed, but as a dairy cow she produced far more than he was able to consume and so we had to make sure that she was milked dry at regular intervals.

Florette and I learned the process of hand milking on the same day. We discovered that in spite of her calf having taken some of the pressure off, her udder was still very hard and swollen. This had the effect of causing her teats to stick out at right angles and to be even shorter than they normally were. As a result of this distortion, the traditional method of milking, using fingers, thumbs and palms of the hands became simply impossible – all that would fit on these teats were a forefinger and thumb. For my seating to carry out this task, I had no milking stool and so I sat precariously on an upturned plastic bucket next to her.

Michael decided he was ready to stand up, while Florette watched - Photo by Steven Kennard
Michael decided he was ready to stand up, while Florette watched – Photo by Steven Kennard

A first time for both of us

This was a first for both of us. She had only been milked by a machine, I had never milked a cow before. Once Florette and I got used to hand milking it would take me about 15 or so minutes from start to finish. This first milking, however, lasted for 1.5 hours. It was agonizingly slow for both of us. I gave her some hay and some of her grain to occupy her while I started. The food didn’t last long enough. I was so inept at this to start that Florette became irritated and impatient and my hands began to cramp painfully as the time dragged on. I was bent over to reach the low hanging teats and had to hold the milk bucket at an angle to get the milk to flow into it. Although I got the knack of producing a satisfying stream of milk fairly quickly, the bucket filled slowly as there were so many interruptions. The process was so far removed from the efficient and regularly sucking milking machine cups that she had known that Florette found the business disturbing to begin with and would jerk to one side and then back again with sudden movements that knocked me off my bucket or pulled her short teat out of my hands altogether. Even the intermittent suckling of Michael on her other side would cause her to start in surprise and jump away. It wasn’t just the hand milking but the whole procedure that was new to her. Commercial dairy cows don’t feed their young, as they are taken from them and fed a commercial milk mixture from birth. So, although it should have been perfectly natural for her to suckle her calf, this was very strange to Florette. When the bucket was knocked over for the third time and my fingers were so cramped that I could barely move them, I got a sinking feeling that the whole thing had been a terrible mistake. I could see myself spending 3 or more hours every day of my life trying to get my cow milked. Store bought dairy products suddenly sounded really appealing. All of the romance of the idyllic situation that I had imagined had evaporated, seeping into the flagstones with the milk that was spilled.

By the time we had been at this for an hour and a half both Florette and I were getting very short tempered and the bucket was almost full. But at last it was finished, we had both done it! Michael was asleep in the straw. Florette, relieved of her burden, calm in the company of her calf, rested comfortably on the grass just outside the stable door and chewed her cud. I, however, contemplated the evening, a few short hours away, when, unbelievably, we would need to start this whole thing all over. And then came the even more painful moment when we had to pour all of this hard won milk, which was actually colostrum down the drain for several days, as it was not fit for human consumption.

The milking did get easier for both of us as time went on and we came to an understanding, Florette and I. When we finally were able to taste her milk, it was (of course) the best tasting milk in the world! She taught us a lot through this time we had with her and we had many more adventures together. Her arrival marked the beginning of our exciting farming life in this tiny community in the depths of rural Dordogne.

Michael, growing up -photo by Steven Kennard
Michael, growing up -photo by Steven Kennard

My Two Boys


Rupert, our Cornish Rex cat has always had a special love for Steven and will sit at his feet at every meal and wait for a moment such as this when he can be snuggled right next to his face. Often Steven, even when he's holding him is a bit distracted, but at this time I caught them both lost in each other. Rupert is 14, the cat with the sweetest personality we have ever had (and we've had a good few) and seems to need that close connection and affection more than ever.

I have decided not to take part in a BW project as such this year, but want to continue working in black and white and monochrome where the subject seems right for it, as in this one.

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#cornishrex #Animalia (+Animalia) curated by +Adelphe BACHELET
#hqspmonochrome +HQSP Monochrome curated by +Luis Vivanco S. +Оксана Крысюкова +Nader El Assy +Howard Salmon +tri rini nuringtyas and +Giuseppe Petruzzella


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